In a newly published essay, Mark Twain assays the art and experience of the interview, while over at PopMatters, Monte Williams takes a flight-of-fancy look at sequels that never were. The latter is of particular interest to me in that I too feel often feel intrigued or interested most by what's out-of-frame in sequels; I'd love (at least in theory) to see genre pieces spin-off and follow characters in more talky, urbane directions. If you give me an interesting character, I'm perfectly happy to follow them into new terrain. The mathematical studio formula of apportioned excess (e.g., Bad Boys II) makes for some absolutely terrible follow-ups, just on a very basic conceptual level.